I'm new to serious scrolling and in the past week I've read a few articles, what few there are. Several blogs deal with attaching patterns. One tip is to apply shelf liner to your stock then apply spray adhesive to the pattern and then apply the pattern over the shelf paper. According to the blog this provides lubricant to the blade and when the cut is complete it makes it easier to remove the pattern but doesn't leave glue behind.
My question is what do you folks use to attach your patterns and what do you use to remove the glue from the wood piece?
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Thanks all for your ideas and tips!
Wayne I think I have Photoshop, I'll give that a try as soon as I can find my disc and load it back on the computer.

Greetings All
When I got picture I wanna use on my pieces, I open the picture with windows paint program and it got 1 little very handy option, "Flip Horizontal", this makes picture as mirror image. Print it out, use blue masking tape to secure it to the piece. Dip cotton ball into acetone, "wet' lines and use flat scraper like old credit card to transfer lines from paper to wood. This way picture is not reversed on your piece.....
Greg Aksdal said:
You're right Gene, if you have a copy from a regular copier you can iron it on at low temp. One thing to remember is that the image will be reversed on the wood.
Keep on turning, if not today, do it tomorrow.

I use self adhesive shelf liner on the pre-sanded project wood, then I spray adhesive on the pattern back and apply the pattern to the liner... exactly as you described. To me, it is simpler than multiple strips of masking tape or packing tape, and possibly costs less.(look for shelf liner at the dollar store). When I'm done with the spray adhesive I take the nozzle off, put it on a WD40 can and give a spritz to clear out the adhesive.
To me, carbon paper of any color is only useful for silhouette type outline patterns with few components... not intricate fretwork.
Compared to black ink, better visibility comes from using dark red ink on white paper (some people like blue, but make it a darker blue)... do that in the computer before printing. If the pattern wasn't originally in color, then black isn't easily converted to red, however, one of the dark grays sometimes works well for contrast with the nearly-black saw blade. There is no such thing as printing white on dark paper... although if you wanted, you could waste a ton of ink printing the negative of a pattern to get a similar result (only kidding... don't bother wasting the ink on that.). A good worklight helps see the pattern line as you are cutting... and many folks use a lighted magnifier to see even better.
If intricate parts of the pattern start lifting while cutting, use the eraser end of a pencil as if it were a finger to hold the pattern down as near to the blade as you need (in front, behind, or right next to the blade...)
Spence
I don't like black patterns either. The black blends in with the color of the blades. I have always thought they should make the blades red or even designer colors so they would show up against black patterns. lol
I use Krylon Easy-Tack which is a repositionable adhesive for all my patterns. It comes right off when I want it to and sanding takes off any adhesive left behind. I buy this at Michael's.
SQ
Happiness is wood chips flying!

Spence
Good advice about the eraser. I use my fingers but am very careful. If it gets too close I use clear tape for reattachment of the pattern. Packing tape works great if you can put up with the glare of the light from it.
Wayne Mahler
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